Weddings and Funerals illuminates broader societal patterns of gendered violence, the systemic institutional silencing of survivors, and the absences that follow. The installation presents digital projections of headstones at Rosehill Cemetery, one of Chicago’s oldest memorial parks, highlighting the names of women. Many inscriptions identify women through relational terms, such as “his wife,” reflecting the ways women are historically remembered in relation to others rather than as individuals. By isolating and enlarging these names, the work invites reflection on absence, memory, and endurance. The projections shift at intervals, emphasizing patterns of repetition and the passage of time, while occasional longer displays draw attention to moments of particular significance. Emerging from personal experience, this work functions as both a reflective archive and a commentary on broader social dynamics that shape memory, recognition, and visibility. It asks viewers to engage with time, repetition, and remembrance in a contemplative space.